Thursday, 31 July 2025

DARK WORLD 25





you don’t win wars by dying for your country 
you win by making the other guy die for his

General George Patton




D A R K  W O R L D  2 5

volume up . 1080p





















dedicated to the 55 million civilian casualties
who perished during world war 2



optimized for night vision



a jim lamarche remix
from the album NIGHT PARACHUTING 
assembled in photoshop, logic audio & final cut


featuring the roland S-770 digital sampler
roland jupiter 8 synthesizer
& the roland U-220 analog synthesizer


created with Intelligent Music, Jam Factory software









music composed & performed by jim lamarche
at spiral studio, toronto
january 1989





mastered by andy condon
at acoustical symmetry/soundfield, toronto
october 1991



Inspired by the documentary series
Liberation: D-Day to Berlin
National Geographic



















see the NIGHT PARACHUTING  album/page here >>>



see the ONE LIFE album/page here >>>
http://www.jimlamarche.ca/onelife/


see the new TWO LIVES album/page here >>>
see the new THREE LIVES album/page here >>>



see the TEMPLE REDUX album/page here >>>























A R K  W O R L D  2 5
volume up . 1080p




a raglan manor production '25
AUGUST 2025




read more of Jim's blog posts here 













THE STORY OF DARK WORLD
walnut street, toronto, 1991

 
in a state of transition, I started a new phase of my journey
after being dropped by my record label A&M Records
in 1986, married, a new Dad and a drive to keep writing & recording
more obsessed than ever - self consumed
the tortured artist yawn

the very cool thing about being signed to a record company
in the early 80's is that they gave you these large cheques
called 'advances' for you to make a record for them

I spent half of it on gear and built a home studio in toronto. 
Rhythmic frameworks mostly using my Apple Mac Plus computer
take them to the studio and track, add live instruments/voices 
then mix in the larger format (proper studio)

without a label, there was no phase 2, no large format
I was confined to my smaller laboratory to record and mix
and it was less than perfect

in 1988 I started experimenting with Intelligent Music software 
which randomized MIDI events - metric music - a retro AI for music
much like taking coloured confetti and throwing it up
watching it fall and seeing patterns
on the floor - editing/reorganizing a bit
then importing the MIDI file into Performer
a more traditional music sequencer
IM was way cool w/rhythms I found
requiring aptitudes of patience & change


97% of my time doing that was junk/garbage BUT
3% of the time? OK what do we have here?
this is one of them - a seed that expanded
started in intelligent music - jam factory
and finished at spiral studio - walnut ave., toronto
the opening track on night parachuting '91


fast forward 35 years

a few days ago I finished the National Geographic documentary series
Liberation: D-Day to Berlin
pulled out Night Parachuting and listened to Dark World
for the first time in many years - a mood thing for me - pulled to that

remixing - fun















for Andy

Andrew Condon
Dec. 1954 - Nov. 2016



















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Thursday, 24 July 2025

LOON SONG





in the cry of the loon 
we hear the music of the soul
a song of longing reflection 
in a timeless triangle



L O O N  S O N G

volume up . 1080p




READ
'THE STORY OF LOON SONG & ANDY CONDON'

below/bottom



















summers shimmer 
in northern ontario 






optimized for night vision



a jim lamarche remix
from the album NIGHT PARACHUTING 
assembled in photoshop, logic audio & final cut

featuring the roland S-770 digital sampler
roland jupiter 8 synthesizer
& the roland U-220 analog synthesizer



music composed & performed by jim lamarche
at spiral studio, toronto
august 1987




mastered by andy condon
at acoustical symmetry/soundfield, toronto
october 1991

















see the NIGHT PARACHUTING  album/page here >>>



see the ONE LIFE album/page here >>>
http://www.jimlamarche.ca/onelife/


see the new TWO LIVES album/page here >>>
see the new THREE LIVES album/page here >>>



see the TEMPLE REDUX album/page here >>>























O O N  S O N G
volume up . 1080p


a raglan manor production '25
JULY 2025




read more of Jim's blog posts here 



.



THE STORY OF LOON SONG & ANDY CONDON
london/toronto


Andy and I went to Fanshawe College together in 1976/77
Creative Electronics became Music Industry Arts that year
a brief window of opportunity

I can maybe count a handful of people (outside family)
who I can say I've 'loved' unconditionally
Andy was one of them for me - so musical
and an elevated grasp of physics/acoustics
Super smart guy - the antithesis of 'cool'
but an enigma nonetheless

Great ear. He loved Night Parachuting
and wanted to master it at Soundfield, Toronto
as a gesture of our friendship
for free

We played in 2 bands together in school earlier on
tall, lanky/thin, quiet/reserved - dirty brown hair to his waist
personal hygiene was sketchy and he had a creepy laugh
like he already knew what you were thinking before you were

Andy was a functional drummer; kept good time/nothing frilly 
and brilliant on so many levels - sneaky, inspiring
funny

Becoming a gifted acoustician/audio mastering engineer
and facility designer post grad, having designed sound/acoustical
at several renowned concert venues - collaborations/participations
including Roy Thompson Hall, Wintergarden Theatre & Danforth Music Hall
Health issues kicking in early. Andy spent the last 7 years of his life
bed ridden - the potential still staggers me


I have some very fond memories of a friend
I will never forget.














for Andy

Andrew Condon
Dec. 1954 - Nov. 2016




















Friday, 4 July 2025

PINK FLAMINGOS - the story

 


To everything, turn, turn, turn
There is a season, turn, turn, turn
And a time to every purpose under heaven






P I N K  F L A M I N G O S
the story





Signs & Signals


There are certain songs that resonate to this day. I mean, they just got it right. In the early summer of '65 this song was on the radio several times a day and Jesus! They nailed it.
A groundswell in reactivation. The song spoke for all those in it. Making sense 60 years later.


Guys hair - getting longer - challenging 'the establishment's' gender values. It's not that I wanted long hair because it was 
more feminine but because it was 'cool'. Guys becoming softer and more transparent, was groovy. A lot of mixed messages. 


A lot of hiding ... fear, mostly amongst older men. Secrets.







The Elaborate Entrance

I was 8 when homosexuality first entered my orbit. Sloane Street in Woodstock Ontario about a year before my parents split. It was summer 1965 just over a year after The Beatles were featured on the Ed Sullivan Show. I was entering grade 5 that September.  It was 4 years before puberty so I was hovering like a fly, waiting for the windshield on a freeway. I was clueless; having absolutely no idea about anything pertaining to sex, other than an attraction to girls in a cerebral capacity. I was getting that there was more to it only not knowing what. Little hints that there was a tsunami on the horizon. The provoking prepubescent pokes. 


Like overhearing Dad and his friend Rick talking in the back yard over a beer. That quiet malevolent chuckle shared by 2 men confident in their manly manhood. "I think Bill's a homo" - Dad saying, referring to a happily married mutual friend. Homo. What's that?
I went inside. Mom cooking supper. Macaroni & cheese with weiners, asking ... Mom, what's a 'homo'? That look of sheer terror on her face, long pause ... 'oh you don't need to know about that' she said. 'Where did you hear that? Go wash your hands. Dinner's almost ready'. 


Ok. Obviously it's a bad thing. So bad that even discussing it out loud could make it worse. Just better not to talk about it is what I learned early on. My curiosity waned but was always there wondering why they were so afraid of it. Truth is, she had been shaken to the core by my innocent inquiry. Time passed. 


About a month later we were watching The Dean Martin Show together. He always came on with a glass of bourbon in one hand and a cigarette in the other; half in the bag. 
Family entertainment in the mid 60s was loaded with obscure anomalies and even outright contradictions. That's just how it all played out. I didn't get the deal with homosexuality. Like why is this such a big problem? Even at 8 thinking this.







Music fade after Palmolive commercial: you're soaking in it


Dean is slurring his words like he always does.

"Tonight, we have a very 'special guest' on the show". It was a moment that stayed with me - to this day. Like it was yesterday. Liberace was introduced by Dean. He flamboyantly talked for a bit, waving his hands around whilst, likely to show off all his expensive rings before he played his white piano, ordained with a massive silver candelabra. Ok, I'm confused. Is he a man or a woman? Ok obviously a man and everyone loves him BUT, he acts like a woman! Talks like one, even dresses like one. Mom saying - I love him - Dad quietly laughing ... 'he's a homo'. Both oblivious (well at least Mom was). Mom slapping Dad on the arm playfully.  "Shhhh. Not in front of the kids" she whispered. I heard that! Terrible taboo.


Making me think. What am I? The delinquent question. Am I a homo? That said, I knew that if I was? Shit would hit the proverbial fan which is why I could never tell a single soul. 


Ok, Mom may have had suspicions about the 'glitter man' but it didn't matter, almost like even if he was a homo, it was ok because he played so beautifully and was such an angel. In time, I discovered that those who worshipped him were mostly women or homos themselves AND that being a homosexual would later become an accepted way of life. MUCH later.








What you don't know? Won't hurt you

By the time puberty actually kicked in, my parents had separated and we had moved to Stoney Point (near Windsor) with my Dad who just took us there with a new woman in his life tagging along. I was 12 in 1969. I woke up one morning after the most amazing dream I'd ever had and was stuck to my sheets having no idea what had happened.


Finishing grade school in '69, all the way through high school and into liberal arts college in '75 where the sky opened after 7 straight years of holy homophobia. Brutal.










Epilogue: The Imposition


Right. Did you know there are 'gay' animals?  Your little Muffy-wuffy lying on the floor licking himself and affectionately looking up at you could be as queer as a 3 dollar bill. Who knew? Turns out there is roughly the same percentage of animals that are LGBTQ as we are. I'm guessing humans were just supposed to skip that part?


A biblical imposition?  Wait. If animals can be gay, why can't humans - and why are all flamingos pink? Aren't some guys?

 




I N K  F L A M I N G O S
the story





FEATURING

TRIPTYCH (2020), a dance theatre production by Belgian company PeepingTom

www.peepingtom.be






jimlamarche.ca







.

Tuesday, 1 July 2025

PINK FLAMINGOS




we had gay burglars the other night 
they broke in and rearranged the furniture

robin williams


P I N K  F L A M I N G O S

volume up . 1080p















Pink Flamingos - the story
coming soon




optimized for night vision



a jim lamarche remix
from the album NIGHT PARACHUTING 
assembled in photoshop, logic audio & final cut

featuring the roland system 8



composed & performed by jim lamarche
at spiral studio, toronto
july 1986



TRIPTYCH (2020), a dance theatre production by Belgian company PeepingTom

www.peepingtom.be



















see the NIGHT PARACHUTING  album/page here >>>




see the ONE LIFE album/page here >>>
http://www.jimlamarche.ca/onelife/


see the new TWO LIVES album/page here >>>
see the new THREE LIVES album/page here >>>




see the TEMPLE REDUX album/page here >>>





















I N K  F L A M I N G O S
volume up . 1080p



a raglan manor production '25
JULY 2025




read more of Jim's blog posts here 












.